[et_pb_section fb_built=”1″ disabled_on=”off|off|off” admin_label=”LARGER SCREENS” _builder_version=”4.16″ background_color_gradient_direction=”90deg” background_image=”https:\/\/ruthware.com\/wp-content\/uploads\/2019\/02\/About-Ruth-Background-1080.jpg” custom_margin=”0px||” custom_padding=”100px||150px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ header_font=”||||||||” header_2_font=”|700|||||||” header_2_text_color=”#fff899″ header_2_font_size=”44px” header_2_font_size_tablet=”35px” header_2_font_size_phone=”” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
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Image Copyright: Paul Reich<\/p>\n
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Ruth Ware is an international number one bestseller. Her thrillers In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game, The Death of Mrs Westaway, The Turn of the Key, One by One, The It Girl <\/em>, Zero Days, <\/em>One Perfect Couple <\/em>and The Woman in Suite 11<\/em> have appeared on bestseller lists around the world, including the Sunday Times<\/em> and New York Times<\/em>, and have sold more than ten million copies. Her books have been optioned for both film and TV, and she is published in more than 40 languages. Ruth lives near Brighton with her family. You can find her on social media @ruthwarewriter or at ruthware.com<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ use_background_color_gradient=”on” background_color_gradient_direction=”92deg” background_color_gradient_stops=”rgba(135,192,191,0.3) 0%|rgba(33,52,66,0.55) 100%” background_color_gradient_start=”rgba(135,192,191,0.3)” background_color_gradient_end=”rgba(33,52,66,0.55)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”35px|35px|35px|35px|true|true” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/ruthware.com\/wp-content\/uploads\/2018\/12\/Ruth-Stairs-OPT.jpg” title_text=”Ruth-Stairs-OPT” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”||0px” custom_padding=”||0px” global_colors_info=”{}”] Image Copyright: Gemma Day<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.25.2″ text_font=”|600|||||||” text_font_size=”1px” header_font=”|600||on|||||” header_text_color=”#ffffff” header_font_size=”24px” header_line_height=”1.4em” header_2_font=”|600|||||||” header_2_text_color=”#ffffff” header_2_font_size=”33px” header_2_line_height=”1.4em” header_3_font=”|||on|||||” header_3_text_color=”#ffffff” header_3_font_size=”14px” header_3_line_height=”1.4em” custom_margin=”||0px” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”|600|||||||” text_font_size=”1px” header_font=”|600||on|||||” header_text_color=”#ffffff” header_font_size=”24px” header_line_height=”1.4em” header_2_font=”|600|||||||” header_2_text_color=”#fff899″ header_2_font_size=”30px” header_2_line_height=”1.4em” header_3_font=”|600|||||||” header_3_text_color=”#ffffff” header_3_font_size=”40px” custom_margin=”||0px” header_2_font_size_tablet=”25px” header_2_font_size_phone=”” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” header_font=”||||||||” header_text_color=”#ffffff” header_font_size=”39px” header_2_font=”|600|||||||” header_2_text_color=”#ffffff” header_2_font_size=”19px” header_2_line_height=”1.5em” header_3_font=”Crimson Text|600|||||||” header_3_text_color=”#ffffff” header_3_font_size=”14px” header_3_line_height=”1.8em” custom_padding=”14px||” hover_enabled=”0″ text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|tablet” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Ruth Ware is the international number one bestselling author of ten psychological crime novels. Her books have appeared on bestseller lists around the world, are published in more than 40 languages, and more than ten million copies have been sold.<\/p>\n Her 2015 debut thriller, In a Dark, Dark Wood<\/em>, about a bachelorette party gone disastrously wrong, was a Book Expo America Buzz Panel Pick, a Richard and Judy Choice, and a Sunday Times<\/em> and New York Times<\/em> top ten bestseller. On publication it was described by the Guardian<\/em> as \u201cmesmerising\u201d, by the Independent<\/em> as \u201cthe hottest crime novel of the year\u201d, shortlisted for the British Book Awards Debut of the Year, and longlisted for the Theakston’s Old Peculier Crime Novel of the Year. It was optioned for film by New Line Cinema, with Reese Witherspoon attached to produce \u2013 Witherspoon said of the novel, \u201cPrepare to be scared… really scared!\u201d<\/p>\n Ware followed this up with the cruise ship murder-mystery The Woman in Cabin 10<\/em>, which was a New York Times<\/em> number one bestseller, a Sunday Times<\/em> bestseller, and a Globe<\/em> and Mail<\/em> number one bestseller. The novel went on to spend over a year in the New York Times<\/em> top ten. It was a Goodreads Choice finalist, won the 2017 Readerlink Rising Star Award, and was described as \u201cbrilliantly claustrophobic\u201d by the Sunday Times<\/em> and \u201cpulse-quickening\u201d by O<\/em>, the Oprah Magazine. The novel was adapted into a 2025 Netflix Original film, directed by Simon Stone, and starring Guy Pearce, David Ajala, Gugu Mbatha-Raw and Hannah Waddingham with Keira Knightley in the role of Lo Blacklock.<\/p>\n Her third novel, The Lying Game<\/em>, about a group of friends coming to grips with a secret from their boarding school past, was an instant New York Times<\/em> bestseller, and a Reese’s Bookclub Pick for August 2017. It received a starred Kirkus review, which said \u201cCancel your plans for the weekend when you sit down with this book, because you won’t want to move until it’s over.\u201d Author Marian Keyes described it as \u201cAtmospheric, mysterious, gripping\u201d. It is being adapted for television by Amazon MGM Studios, with Ted Gold attached to produce.<\/p>\n The Death of Mrs Westaway<\/em> was published in 2018 and was an instant bestseller in both the US and UK. The first of Ware’s novels to feature her home town of Brighton, it tells the story of tarot reader Harriet Westaway, who sets out to claim an inheritance to which she is not entitled. Writer Lisa Jewell described it as \u201can incredible story filled with utterly believable characters and brilliantly told. I absolutely adored it.\u201d The Washington Post<\/em> wrote, \u201cA classic never goes out of style. Consider the confident simplicity of the dry martini, the Edison lightbulb, and Meghan Markle’s wedding dress. Now add to that list Ruth Ware’s new novel The Death of Mrs Westaway<\/em>.\u201d<\/p>\n Ware\u2019s fifth novel, The Turn of the Key<\/em> was published the following year. It went straight in at number one on the Globe and Mail bestseller list and was an instant New York Times bestseller. In the UK it was chosen as Waterstones’ Thriller of the Month. An epistolary novel set in a smart house in the Scottish Highlands, it is told in the form of letters from a young woman to her solicitor, protesting her innocence of the crime for which she is about to be tried. Author Sarah Pinborough described it as \u201ca masterclass in tension\u201d and the Washington Post<\/em> wrote \u201cWare pulls out a stunner on the penultimate page that radically alters how we interpret everything that’s come before. Brava Ruth Ware. I daresay even Henry James would be impressed.\u201d In 2023 it was selected by TIME Magazine as one of the hundred best mystery and thriller novels ever written.<\/p>\n Her sixth novel, One by One<\/em>, came out in 2020. A snowy locked room mystery about a corporate retreat in the French alps that ends in murder, it was described as \u201csimply masterful\u201d by Kirkus and \u201canother triumph\u201d by the New York Times Book Review. Author Erin Kelly said that it \u201cconfirms Ruth Ware as the true heir to Agatha Christie\u2019s crown.” It was a top ten bestseller in the US, Canada and across Europe, and was shortlisted for the UK’s CWA Steel Dagger prize in 2021. It has been optioned for a TV series.<\/p>\n Her seventh novel, published in 2022, was the “dark academia” thriller The It Girl<\/em>. It was described by writer Lisa Jewell as \u201cA heady, tense, slowburn dream of a book, multi-layered and steeped in atmosphere and peril\u201d and by the Sunday Times as “a terrific novel about the corrupting effects of class and privilege”. It was an instant bestseller on lists including the New York Times and Toronto Star, and has been optioned for TV. The novel was shortlisted for the Theakstons Old Peculier Crime Novel of the Year Award, and was selected as a finalist for the Silver Falchion Award, a Richard and Judy Bookclub pick, and in 2025 it was chosen as one of the 25 best mystery novels of the past 25 years by the Wall Street Journal.<\/em><\/p>\n In 2023 she published the tech thriller, Zero Days<\/em>, about a security expert who goes on the run after being accused of the murder of her husband. Another instant top ten bestseller, it was described by David Baldacci as “a cat and mouse game of deadly intrigue… that will satisfy the biggest thriller addicts out there\u201d and by Red Magazine as “a high octane thriller.” It was the subject of a ten-party bidding war for film and TV rights, eventually being optioned by Universal International Studios.<\/p>\n One Perfect Couple,<\/em> a thriller set in the world of reality TV, came Her tenth novel, published in 2025, marked both her tenth New York Times bestseller, and her first sequel. The Woman in Suite 11<\/em>, a follow-up to her 2016 mega-hit The Woman in Cabin 10<\/em>, saw the return of travel journalist Lo Blacklock, who is lured to a luxury hotel opening in the Swiss Alps, but finds more than she bargained for awaiting her in the eponymous Suite 11. An Associated Press<\/em> review said of the book, “Ware throws the thriller switch and readers are taken on a ride across the European continent . . . practically forcing you to turn the page and learn how it all happened.”<\/p>\n You can find Ruth Ware on social media as @ruthwarewriter or on ruthware.com<\/p>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.16″ background_color=”#213442″ background_enable_image=”off” custom_padding=”75px||125px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ header_font=”||||||||” header_2_font=”|700|||||||” header_2_text_color=”#fff899″ header_2_font_size=”44px” header_2_line_height=”1.4em” header_2_font_size_tablet=”35px” header_2_font_size_phone=”35px” header_2_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cI don\u2019t know why we still read books that make us want to leave the lights on at night, lock all our doors, and interrogate our significant others about whether or not they\u2019re really impostors living out a decades-long charade to make us slowly lose our minds\u2014but the best-seller list doesn\u2019t lie. The latest book to make readers delightfully on edge is Ruth Ware\u2019s debut, In a Dark, Dark Wood<\/em>. Secrets, lies, old friends called together for a reunion in a secluded glass house\u2014this suspense thriller has it all.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.booklistreader.com\/2015\/08\/27\/book-lists\/dark-dark-read-alikes-for-in-a-dark-dark-wood\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Karen Kleckner Keefe, The Booklist Reader<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cNot long into this story involving a gun and a bachelorette party[…] it\u2019s apparent someone is going to die. And if you\u2019re like me, you\u2019ll find it almost impossible to put this twisting, electrifying debut down until you figure out why.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”httphttps:\/\/ew.com\/article\/2015\/07\/30\/in-a-dark-dark-wood-ruth-ware-ew-review\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Isabella Biedenharn, Entertainment Weekly<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cA hen night had gruesome consequences for the participants in Ruth Ware’s In a Dark, Dark Wood<\/em>, with a Frank Lloyd Wright-style house in an isolated forest providing the perfect setting. That debut book instantly established Ware as writer to be taken seriously, but she was then faced with the dread \u2018second novel\u2019 syndrome \u2013 how to top that first, all-conquering success. Thankfully, The Woman in Cabin 10<\/em> bucks the trend of disappointing follow-ups, and is every bit as taut and provocative as the earlier book.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Montserrat Regular|||on|||||” text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.independent.co.uk\/arts-entertainment\/books\/the-five-new-crime-novels-by-women-writers-you-must-read-books-fiction-ruth-ware-the-woman-in-cabin-a7097886.html” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Barry Forshaw, Independent<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cNow is the time to switch into hibernation mode and curl up on the couch with a deliciously gripping murder mystery. Ruth Ware\u2019s new novel, The Woman in Cabin 10<\/em>, is a page-turner tailor-made for that kind of endeavour… Ware plays on many of the tropes of this fast-paced, high-intensity genre in The Woman in Cabin 10<\/em> \u2014 including female main characters, flawed protagonists\/unreliable narrators, adrenalized plots and emotionally complex relationships \u2014 but she finds a way to make these literary devices feel fresh and new, all the while keeping suspense levels intoxicatingly high, allowing one to disappear into the story.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Montserrat Regular|||on|||||” text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.thestar.com\/entertainment\/books\/2017\/01\/01\/grip-lit-starts-the-year-off-with-a-thrill.html” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Tara Henley,\u00a0The Star<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cThank goodness for Ruth Ware, a contemporary crime writer who\u2019s successfully extracted the integral elements of the genre\u2019s classics \u2013 she\u2019s been compared to Agatha Christie, and understandably so \u2013 and repackaged them for the modern reader.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.independent.co.uk\/arts-entertainment\/books\/reviews\/the-lying-game-ruth-ware-book-review-a7801096.html” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Lucy Scholes, Independent<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cSuspense queen Ware’s third novel in three years introduces four women who have been carrying a terrible secret since their boarding school days, a secret that is about to be literally unearthed… Ware\u2019s third outing is just as full of psychological suspense as her earlier books, but there is a quietness about this one, a slower unraveling of tension and fear, that elevates it above her others.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/the-lying-game\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Kirkus Reviews<\/a><\/em><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cThe Death of Mrs. Westaway<\/em> is superb. In addition to its brooding atmosphere and labyrinthine mistaken-identity plot, the novel also gives us a heroine of real depth in Hal. As Ware vividly depicts, Hal is hemmed in by her poverty as much as she is by those iron bars on the attic window. Hal can\u2019t flee Trepassen House \u2014 she has enough money only for a one-way ticket . (She rashly gambled on the chance that she would get some inheritance money right away.) So Hal resolves to settle in. I predict lovers of first-class suspense will also want to burrow into their version of Hal\u2019s darkened chamber, shut out the delights of summer and read until the stunning endgame here is played out.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.washingtonpost.com\/entertainment\/books\/why-ruth-wares-new-thriller-is-a-classic\/2018\/05\/23\/ac2a1a62-5d10-11e8-9ee3-49d6d4814c4c_story.html” link_option_url_new_window=”on” global_colors_info=”{}” text_font_size__hover_enabled=”off|desktop”]<\/p>\n Maureen Corrigan, Washington Post<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cWare\u2019s fourth novel reaffirms her position as one of the best \u2013 and not to mention Sunday Times<\/em> and New York Times<\/em> bestselling \u2013 thriller writers around today.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.independent.co.uk\/arts-entertainment\/books\/reviews\/the-death-of-mrs-westaway-review-ruth-ware-thriller-novel-lying-game-a8420001.html” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Lucy Scholes, Independent<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cRuth Ware\u2019s latest suspense novel has a lot to measure up to. Its predecessor, The Death of Mrs. Westaway<\/em>, was one of the best mystery novels of 2018, brilliantly repurposing just about every cobwebby prop in the Gothic warehouse, including a disputed inheritance, a crumbling ancestral mansion and a terrified-but-plucky young heroine. Ware sets expectations even higher by burdening her new novel with a brazen title: The Turn of the Key<\/em>. What kind of suspense writer would be so reckless as to invoke Henry James\u2019s masterpiece of terror and ambiguity and expect to see her own work do anything but suffer in the comparison? Happily, the answer is: a superb suspense writer who is dead set on making her own distinctive mark on the governess-alone-with-weird-children-in-an-isolated-house formula.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Montserrat Regular|||on|||||” text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”htthttps:\/\/www.washingtonpost.com\/entertainment\/books\/think-youve-read-every-twist-on-the-nanny-in-distress-novel-ruth-ware-adds-a-new-wrinkle\/2019\/08\/07\/ff6068d0-b854-11e9-b3b4-2bb69e8c4e39_story.html” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Maureen Corrigan, Washington Post<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201ccreaking footsteps at night, lost keys, a walled garden filled with poisonous plants, a history of hauntings. Ware tells a cracking tale and, as in her breakout novel In a Dark, Dark Wood<\/em> the house itself plays a hugely menacing part in proceedings.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.theguardian.com\/books\/2019\/aug\/11\/turn-of-the-key-platform-seven-perfect-wife-how-the-dead-speak-thrillers-of-the-month” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Alison Flood, The Guardian<\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cOur contemporary Agatha Christie offers up her version of And Then There Were None<\/em> when 11 people are stranded in a ritzy ski chalet and begin dying one by one… Ware does what she does best: Gives us a familiar locked-door mystery setup and lets the tension and suspicion marinate until they reach fever pitch. Another win for Ware and her adaptations of classic mystery traditions. The solution is maddeningly simple but the construction, simply masterful.\u201d<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Kirkus Reviews<\/a><\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n \u201cGreed, ambition, manipulation, secrets, nifty plotting and [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”|||on|||||” text_font_size=”15px” link_font=”Montserrat Regular||||||||” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n THE GUARDIAN<\/i><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.19.5″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “This is a terrific novel about the corrupting effects of class and privilege”<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Joan Smith, The Sunday Times<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “This exceptional psychological thriller from Ware probes how much one can trust others\u2014and one\u2019s self . . . . Alternating past and present chapters build toward a gripping denouement as nicely chosen details bring each character vividly to life. This showcases Ware\u2019s gifts to [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Publisher’s Weekly<\/em> (Starred Review)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “The action and tension are relentless from the opening to the conclusion, which will astonish… It has been said that in Ruth Ware’s books the pages just turn themselves. She has been heralded as ‘the new Agatha Christie’ for good reason.”<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Booklist<\/em> (starred review)<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “When a job goes wrong and [her husband] is found murdered, Jack becomes prime suspect and goes on the run to prove her innocence. An action movie in book form, this is heart-pumping stuff!”<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Fabulous Magazine<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “Five couples arrive on a tropical island to take part in a reality TV show in Ruth Ware’s outstanding novel… It’s a familiar plot, reminiscent of Agatha Christie’s 1939 masterpiece And Then There Were None, but Ware’s version reflects the huge social upheavals that have taken place since then… It’s definitely one of this summer’s most exciting reads.”<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n The Sunday Times<\/em> (Crime Pick of the Month)<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “Ware offers another take on the locked-room mystery, but this time, her focus is less on creating a creepy atmosphere of dread, as she did in earlier novels, than on showing the absolute brutality of which some humans are capable… The prolific Ware continues to stretch herself, taking on something new in each novel and writing strong\u2014and increasingly kick-ass\u2014female characters. The most cinematic Ruth Ware novel so far.”<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Kirkus Reviews<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”26px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ text_font=”|||on|||||” text_text_color=”#ffffff” text_font_size=”16px” header_3_font=”|600|||||||” header_3_text_color=”#fff899″ header_3_font_size=”23px” header_3_line_height=”1.2em” custom_margin=”0px||” custom_padding=”0px||” header_3_font_size_tablet=”18px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “A fast-paced treasure trove of conspicuous consumption, double and triple crosses, and imperilled heroines making very bad decisions, The Woman in Suite 11<\/em> is as fizzily decadent as a pre-brunch mimosa.”<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Irish Times<\/i><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” custom_margin=”||0px” custom_padding=”||0px” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n “When travel journalist Lo Blacklock heads on an all-expenses-paid trip to the opening of a luxury chateau on the shore of Lake Geneva, it’s meant to be the ideal way to ease back into work. But she finds herself drawn into the chilling secrets of Suite 11 – and the desperate plea of a woman claiming to be held captive by billionaire owner Marcus Leidmann. Before long, Lo finds herself embroiled in a cat-and-mouse pursuit across Europe that forces her to confront her own buried trauma. A masterful follow-up to The Woman in Cabin 10<\/em>.”<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.kirkusreviews.com\/book-reviews\/ruth-ware\/one-by-one-ware\/” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Crime Monthly<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.25.0″ background_color=”#95d1d6″ background_enable_image=”off” custom_padding=”75px||125px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ header_font=”||||||||” header_2_font=”|700|||||||” header_2_text_color=”#fff899″ header_2_font_size=”44px” header_2_line_height=”1.4em” header_2_font_size_tablet=”35px” header_2_font_size_phone=”” header_2_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||0px” custom_margin_tablet=”” custom_margin_phone=”||0px” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|30px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.npr.org\/2015\/08\/10\/431136362\/english-bachelorette-party-is-the-perfect-setting-for-a-crime-novel?t=1594899894580″ link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n NPR radio interview around publication of In a Dark, Dark Wood\u00a0<\/em><\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.bbc.co.uk\/sounds\/play\/p056r8jq” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n BBC Radio 4 Open Book<\/em> interview with Mariella Frostrup around publication of The Lying Game\u00a0<\/em><\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.goodreads.com\/interviews\/show\/1366.Ruth_Ware” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Goodreads<\/em> interview around publication of The Death of Mrs Westaway<\/em><\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.barnesandnoble.com\/review\/ruth-ware-podcast” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Barnes and Noble<\/em> podcast interview on The Death of Mrs Westaway<\/em><\/a> [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/inews.co.uk\/culture\/books\/ruth-ware-the-turn-of-the-key-interview-324560 ” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n The i<\/em> newspaper interview around publication of The Turn of the Key<\/em><\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.bbc.co.uk\/programmes\/p07n10xy” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n BBC Radio 3 Proms<\/em> Interval talk on letter writing and The Turn of the Key<\/em><\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.youtube.com\/watch?v=WMcxYWYnGBA&feature=youtu.be” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Video interview with Dead Good<\/em> previewing One by One<\/em><\/a>\u00a0<\/em><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Montserrat Regular|||on|||||” text_text_color=”#fff899″ text_font_size=”16px” custom_padding=”11px|||||” link_option_url=”https:\/\/www.youtube.com\/watch?v=WMcxYWYnGBA&feature=youtu.be” link_option_url_new_window=”on” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Elle profile around the Netflix adaptation of The Woman in<\/em><\/a> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.25.0″ background_color=”#95d1d6″ background_image=”https:\/\/ruthware.com\/wp-content\/uploads\/2019\/02\/drama-sky-OPT.jpg” custom_padding=”75px||125px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#000000″ header_font=”||||||||” header_2_font=”|700||on|||||” header_2_text_color=”#fff899″ header_2_font_size=”44px” header_2_line_height=”1.4em” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” custom_padding_tablet=”” custom_padding_phone=”” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” header_2_font_size_tablet=”35px” header_2_font_size_phone=”” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Photographs are free to use for the purpose of promoting an event or interview with Ruth Ware, or to accompany a review of one of her books, but must be credited to the photographer.<\/p>\n For any other use, please consult the publisher for your territory.<\/p>\n Photographs may not be used as profile pictures for any non-approved social media accounts. Any such use will be reported and may result in legal action.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.27.0″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/ruthware.com\/wp-content\/uploads\/2024\/10\/Ruth-Ware-seated-colour-c-Paul-Reich-opt-2.jpg” title_text=”Ruth-Ware-seated-colour-c-Paul-Reich-opt” _builder_version=”4.27.0″ module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_button button_url=”https:\/\/ruthware.com\/wp-content\/uploads\/2024\/10\/Ruth-Ware-seated-colour-c-Paul-Reich-website-download.jpg” url_new_window=”on” button_text=”DOWNLOAD IMAGE” button_alignment=”center” _builder_version=”4.27.0″ custom_button=”on” button_text_size=”16px” button_text_color=”#000000″ button_bg_color=”#fff899″ button_border_width=”6px” button_border_color=”#fff899″ button_border_radius=”25px” button_font=”|600|||||||” button_icon=”E||divi||400″ custom_margin=”45px||” custom_padding=”0px||0px” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/ruthware.com\/wp-content\/uploads\/2024\/10\/Ruth-Ware-close-up-c-Paul-Reich-opt-2.jpg” title_text=”Ruth-Ware-close-up-c-Paul-Reich-opt” _builder_version=”4.27.0″ module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][et_pb_button button_url=”https:\/\/ruthware.com\/wp-content\/uploads\/2024\/10\/Ruth-Ware-close-up-c-Paul-Reich-website-download.jpg” url_new_window=”on” button_text=”DOWNLOAD IMAGE” button_alignment=”center” _builder_version=”4.27.0″ custom_button=”on” button_text_size=”16px” button_text_color=”#000000″ button_bg_color=”#fff899″ button_border_width=”6px” button_border_color=”#fff899″ button_border_radius=”25px” button_font=”|600|||||||” button_icon=”E||divi||400″ 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background_color_gradient_stops=”rgba(135,192,191,0.3) 0%|rgba(33,52,66,0.55) 100%” background_color_gradient_start=”rgba(135,192,191,0.3)” background_color_gradient_end=”rgba(33,52,66,0.55)” custom_padding=”35px|35px|35px|35px|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”Crimson Text||||||||” text_text_color=”#ffffff” header_font=”||||||||” header_2_font=”|700||on|||||” header_2_text_color=”#fff899″ header_2_font_size=”44px” custom_padding=”||||false|false” custom_padding_tablet=”” custom_padding_phone=”” custom_padding_last_edited=”on|desktop” header_2_font_size_tablet=”35px” header_2_font_size_phone=”” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#ffffff” text_font_size_tablet=”18px” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n For UK events and press enquiries please contact Sabah Khan on sabah.khan@simonandschuster.co.uk<\/a><\/p>\n For US please contact Jessica Roth on jessica.roth@simonandschuster.com<\/a><\/p>\n For Canada please contact Natasha Tsakiris at natasha.tsakiris@simonandschuster.ca<\/a><\/p>\n For Australia and New Zealand please contact Gabby Oberman at gabby.oberman@simonandschuster.com.au<\/a><\/p>\n
\n[\/et_pb_image][et_pb_text _builder_version=”4.27.4″ text_font=”||on||||||” text_text_color=”#ffffff” text_font_size=”11px” custom_margin=”0px||” custom_padding=”0px||” global_colors_info=”{}”]<\/p>\nNumber one best-selling author of twisty psychological crime thrillers<\/span><\/h3>\n
FULL BIOGRAPHY<\/h2>\n
out in 2024 and was another instant bestseller on lists including the New York Times and the Globe and Mail. Bookreporter described the novel as \u201cRuth Ware at her most cunning… all within the framework of an immensely popular form of entertainment that is wide open to this kind of speculation”. Booklist, in a starred review, said that the book was \u201cA fresh, adrenaline-fueled take on Agatha Christie\u2019s And Then There Were None<\/em> . . . absolutely ingenious . . . Bound to be a
top summer 2024 beach read.”<\/p>\nREVIEWS<\/h2>\n
IN A DARK, DARK WOOD<\/h3>\n
THE WOMAN IN CABIN 10<\/h3>\n
THE LYING GAME<\/h3>\n
THE DEATH OF MRS WESTAWAY<\/h3>\n
THE TURN OF THE KEY<\/h3>\n
ONE BY ONE<\/h3>\n
a cracking denouement add up to a suspenseful and spine-tingling page-turner.\u201d<\/p>\nTHE IT GIRL<\/h3>\n
the fullest.\u201d<\/p>\nZERO DAYS<\/h3>\n
ONE PERFECT COUPLE<\/h3>\n
THE WOMAN IN SUITE 11<\/h3>\n
INTERVIEWS<\/h2>\n
<\/em><\/a><\/p>\n
Cabin 10<\/a><\/em><\/p>\nPhotographs of Ruth Ware<\/h2>\n
Download Current Book Jackets<\/h2>\n
IN A DARK, DARK WOOD<\/h3>\n
THE WOMAN IN CABIN 10<\/h3>\n
THE LYING GAME<\/h3>\n
THE DEATH OF MRS WESTAWAY<\/h3>\n
THE TURN OF THE KEY<\/h3>\n
ONE BY ONE<\/h3>\n
THE IT GIRL<\/h3>\n
ZERO DAYS<\/h3>\n
ONE PERFECT COUPLE<\/h3>\n
THE WOMAN IN SUITE 11<\/h3>\n
Download Current Book Jackets<\/h2>\n
IN A DARK, DARK WOOD<\/h3>\n
THE WOMAN IN CABIN 10<\/h3>\n
THE LYING GAME<\/h3>\n
THE DEATH OF MRS WESTAWAY<\/h3>\n
THE TURN OF THE KEY<\/h3>\n
ONE BY ONE<\/h3>\n
THE IT GIRL<\/h3>\n
ZERO DAYS<\/h3>\n
ONE PERFECT COUPLE<\/h3>\n
THE WOMAN IN SUITE 11<\/h3>\n
Press Contacts<\/h2>\n